The Strymon Flint offers the same magic combination of Tremolo and Reverb that has graced so many much loved vintage amps, especially those coming out of California in the 60s and 70s. The Flint gives you a choice of three types each for Tremolo and Reverb to give you the ultimate flexibility. Talking of ultimate flexibility there's also an EXP input that can be used with an expression pedal or a tap tempo footswtich! As as if that wasn't enough if you hold down the two switches together you can tweak a further 4 setting: Tremolo boost/cut, Reverb boost/cut, tap subdivision and effect order!
Stymon are some of the most sought after and best loved guitar pedals in the world. The tones are incredible and there are few pedals that match up head to head on tone or features!
Here's what Strymon say about the Flint
The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair.
Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details.
Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb.
With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.
Three tremoloes in one: the beating heart of the '65 photo trem, rolling waves of the '63 tube trem, hypnotic swirl of the '61 harmonic tremolo
Three reverbs in one: classic ’60s Spring Tank Reverb, inventive ’70s Electronic Plate Reverb, nostalgic ’80s Hall Rack Reverb
Independent control of Intensity, Speed, Decay, Color and Mix.
Tremolo Boost/Cut, Reverb Boost/Cut, Effect Order, Tap Subdivision secondary functions
Super low noise, high performance 24/96kHz A/D, D/A with 115dB signal to noise
Analog dry path for a zero latency dry signal that is never converted to digital
Mono in, Stereo out
Expression pedal input with selectable control over any knob parameter